logo
 

Portfolio: Ashfika Rahman

Rape is Political

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

Photograph © Ashfika Rahman

 

 

 

Artist's Statement

Rape is used as the controlling method or power dominance on indigenous communities / ethnic minorities in South Asia. Rape is Political (2016 - ongoing) is a portrait series of indigenous rape victims in the Khagrachari hills area, near the complex borders of India, Bangladesh, and Myanmar. A conflict between the indigenous and state is continuing for years. At present, indigenous women, girls and even children are being raped somewhere in the Chittagong Hills quite often. These 'rapes' are very political – being used by the state as a weapon to further repress the indigenous tribes / clans.

The attacks frequently occur where there are land disputes between an indigenous people and settlers. Virtually all of the state administrative machinery is used to protect the rapists. According to reports, most of the rapists are Bengali settlers and State security forces are being involved as well. Doctors are now under pressure from authorities not to report rapes and to state that, “No rape occurred.”

The final images are oval and the writings around the corners of the images are by the women in their own indigenous language. The form and the technique of the prints used is an attempt to refer to images of royalty in the subcontinent. However, the photographs are created in the present times; the sitters, moreover are not royals or noblemen but ordinary women or children of Khagrachari who have to stand up to violence and raids every single day. Their stories and the struggle are withering away from the heart of our Bengali state with the passage of each day due to media blackouts and state censorship. These hard, torturous stories, these stories of bravery shining in the middle of the catastrophe, with the sitters in the portraits staring at us - but can we see them?

According to the reports of the Kapaeeng Foundation, 364 tribal women were stripped of their basic rights between 2013 and 2017, of whom 106 women have fallen prey to violence, 100 women have been raped with only 66 of them having narrowly escaped attempted rape.

This portrait series attempts an alternative way to talk about such alarming threats on humanity.

Date Published

20 November

Category
Portfolios
Brief Biography Brief Description