Features

Tanvi Mishra on Three Artists’ Works for D’ Arles, 2023

A Theatre of Remembrance – Zahra Amiruddin

After the War: Joe Clyde Waddell’s Extreme Calcutta

This Golden Mile – Kavi Pujara

The Tangibility of Memory – Zahra Amiruddin

Self-Organizing in Photography in India : Chinar Shah

Misunderstanding a Photograph – Jatin Gulati

Along the Betwa

Voices in the Family Archive – Hemant Sareen

A Visual Journey: The Death of Vivek Oji by Akwaeke Emezi – Chinar Shah

Marc Ohrem-Leclef : Zameen Aasmaan Ka Farq – As far apart as the Earth is from the Sky

Magic Acts and Cultural Osmosis: A History of Professional Illusion

Against Capturing – in a World of Ideas: Sharbendu De

Where an Improbable Reality Meets Fiction: Soumya Sankar Bose

The Entangled Image: Ravi Agarwal

In the Quest of an Undiscovered Location : Prajakta Potnis

Anouchka Renaud-Eck : Ardhanarishvara

Shooting Tigers and the Natural World

A Proposition for Departure : Sohrab Hura

Climate Change & its Intersections with Photography

A Queer Rehearsal: Towards an Indian Gay Image

The Aesthetics of Toxicity – Gayatri Sinha

Biological to Biopolitical – Ravi Agarwal

Beyond Photography – Rustom Bharucha

Covid-19 Between the Visible and Invisible – Amrita Chakravarty

Instagram Field Report from India

The Family and the Self in the Time of the Pandemic : Sabeena Gadihoke

700 Wings of Love : Farjad Nabi

Home Re-Imagined : Surayanandini Narain

Two Archives : Sohail Akbar

The Courage of a Stolen Childhood

Photography and The Hunt

Reimaging Flowers in Photography

Traveling West with Homai Vyarawalla

Exploring the Politics of Identity

The Great Upheaval : Tanvi Mishra

Citizenship of Photography

Photography on the Margins : Suryanandini Narain

The Death of Ignorance: Y.S. Alone

Photographing Sex Workers: Bhavya Sah

Of Conditions and Concerns Made Palpable : Vaskar Mech

Question of Photography, 2020: Chinar Shah

Macro Your Shot: Aileen Blaney

Screen as Image: Anisha Baid

Luminous Enhancements: Nihaal Faizal